Final Show Proposal
24th May
I keep updating my ideas. I want to focus on drawing as this has been the spine of all my work. My thinking is
a triptych of three 10x1.5m drawings
Graphite on paper as a continuous drawing - places, lines, considering drawing and the picture plane through frayed edges, maybe punched holes, inconsistent edges
Compost story - long piece made in the garden in collaboration with the compost heap. This may decay, which I can use and present it in bits, the creeping, crawling idea, the quilt and mycelium network of drawing fragments all over the walls and creeping out of cracks and windows
A third drawing that isn’t quite clear to me yet
I am also feeling a strong desire to show the cast cabbage leaves but I am not sure yet how to present them. I have been playing with visual ideas and photographed some of them here. This needs lots of work after the written assessment is submitted.
I am also wondering about a paper lace drawing, which maybe more readily presented than the leaves.
The tracing paper drawings of dead lavender are emerging and I must resolve how to present those too.
12th May
This has changed on a weekly, if not daily, basis lately so I must focus what I will show.
Ideas at this stage
Paper lace, a hanging
Tracing paper drawings
Hives of cast paper
Hanging mycelium book
Animation
Mycelium drawing directly on the wall
Long trace narrative
I have booked the local village hall on Friday 20th June for 2 hours so I can have the opportunity to hang and look at work as a sort of dry run and video it so I have a record of how I want the work shown. The hall is large and light but old fashioned so definitely not a beautiful white space but I feel happy that I can see how the work could be presented. The hall is barely 2 minutes walk from home so no transportation issues and might give me an idea of how easy/difficult work will be to drive up to London.
Thoughts about the show
I am inclined to do something I will rarely/never get the chance to do - like draw on the walls or show something hanging or a bit off-centre. I have 3 shows coming up, which will be classic gallery painting shows so there’s really no point in indulging that sort of presentation further, but rather I would love to come up with something interesting, unusual, perhaps a bit more imaginative. That said, I want to be mindful of energy levels and how much space I have for making something enormous or cumbersome that will be condemned to the loft for all eternity so I am looking for a balance between something out of the ordinary but without indulging in a piece that is so out of synch that it doesn’t particularly serve a purpose.